Walking the Clouds, An Anthology of
indigenous science fiction features selections of Native science fiction
texts categorized into sections. Indigenous science fiction as Dillon states
offers a unique perspective using Native perspectives in a format which is
“associated almost exclusively with ‘the increasing significance of the future
to Western techno-cultural consciousness’” (2). This contrast of a genre
typically associated to a large degree with Western ontology (science,
technology, individualism, objectivism, colonialism) but used to develop
indigenous themes (land value, community, nature centric, spiritual,
traditional) offers an important perspective on survivance. Envisioning
possible outcomes, as Dillon states is not new to indigenous communities, and
science fiction is an open tool for exploring outcomes.
The excerpt from Flight, by Sherman Alexie, uses themes of time slippage and
alternative futures in the story of an orphaned 15 year old named Zits who
traces his life from the loss of his parents to sexual abuse by his Aunt’s
boyfriend leading to his life in foster homes, and finally the streets. The
body shifting that happens to him leads him to abandon a planned mass shooting
in a bank. As Dillon states Alexie’s use of slippages allows him to “move
beyond the self-loathing of internal colonialization Alexie might argue
typifies reservation youth today (precisely his target audience) and toward a
more holistic sense of self and place” (53). Alexie’s disruption of the
trajectory of abandonment, abuse and homelessness by Zits, who closes the
excerpt by revealing that his real name is Michael, offers perspective on the
experiences of others battling these challenges.
Sanders, When the World Is All on Fire, on the
other hand uses the experience of Sargeant Davis Blackbear to illustrate a
Native perspective on apocalypse. Despite the broad scale of this theme,
Sanders’s work focuses on Blackbear’s encounter with a family squatting in the
reservation. Blackbear becomes charmed by the singing of the daughter of the
squatters and later helps her avoid arrest in town for stealing a pendant. By
helping her and offering her a ride to her home, he ends up in a confrontation
with her father who refuses the assistance that Blackbear offered her. As a
result he is reprimanded by his supervisor and told not to go into town. Not
long after this incident a wildfire flares up destroying much of the
reservation. After a multiday response Blackbear finds out that the wildfire
was caused by arson and likely set by the girl’s father. Sanders’s piece,
although it does not explain the causes of the apocalyptic conditions that made
the family homeless, offers glimpses of the apocalyptic world outside the
reservation. His work touches on themes of colonialization, and racism inherent
in experiences of Indians on reservations.
On of the
contributors, Gerry William states “The grand gestures of people in critical
leadership positions can be juxtaposed with the ordinary soldiers, farmers,
bureaucrats etc. that make up the world being described. In my own small way I
try to honor this type of writing. One is indebted to the society one grows up
in, and one also owes it to that society to follow the traditions established.
Constantly challenging those traditions brings on an instability that if carried
too far can destroy the good parts of a culture just as much as the parts being
questioned. There is a responsibility here that is true to the tribal
traditions I grew up in—respect for one’s family, tribe and elders is just as
important as finding one’s own way”. (79) Williams very nuanced yet succinct
summary of the complexities inherent in the political world. His statement
offers reflection on the conflicts between generations, between those who do
for a living and those who are in charge, between academia and the greater
workforce etc. His statement does raise many questions about where that line
between respect and adaptation is. Are there inherent dangers in attempting to
draw a line?
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