In chapter III,
“Rebuilding the Ancestor,” Allen uses the blood/land/memory complex as a
tripartite structure to help recreate contemporary Maori identity. The blood aspect of the complex symbolizes
the affectionate bond between grandparent and grandchild in Maori culture. This bond is where the oral transmission of cultural/genealogical
tradition takes places from one generation to the next. The story of Whina Cooper, on page 132, describes
how this process works as, “an elder walks her land with her grandchild,
pointing out its features, speaking its names, reciting its history, and
thereby placing the newest generation within the local community’s significant
landscape and within the larger Maori universe.” Here’s my issue with this argument: it
assumes that the grandparent is (1) fairly knowledgeable in the culture; and
(2) that the grandparent’s knowledge of the culture is greater than the
grandchild’s. From my experience, I know
that my full-blooded grandmother knew nothing of the Hawaiian culture. Not only that, but the (full-blooded) elders
who are still alive in the family look to me for cultural and historical
clarification. Thus I’m confused if the
Grandparent-grandchild bond should be (in my case) the Grandchild-grandparent
bond, and if so, does that change anything?
The ‘double rebuilding’ concept of ancestor
and personal identity was thought-provoking (on page 154). However, I’m confused about the notion of rebuilding
the whare tipuna on one’s home marae in order to reclaim personal
Maoritanga. I understand the metaphoric
need of being physically near or on ancestral lands for the sake of forging
indigenous identity. But what does that
say about the indigenous Maori people who are not living in Aotearoa? Does that mean that they simply cannot
participate in rebuilding their Maori identity? Or, if they can, does it mean they
must rebuild differently? This got me thinking about the ‘mainland Hawaiian’
and whether it makes sense that their (different) physical location in space
would (or should) restrict them from the same rebuilding process of a
subjective Hawaiian identity. Any
comments?
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